19 Sep The Elephant Celebes Art analysis
); Kunsthaus, Zurich, March-April 1963 (7, repr. Little Machine Constructed by Minimax Dadamax in Personhttps://en.wikipedia.org/w/index.php?title=The_Elephant_Celebes&oldid=964746196Jeffett, William (1990). Its neck seems to consist of a long snake-like coil which emerges from a hole in its upper section; the top is surmounted by a brightly-coloured construction containing a mysterious eye. It was bought shortly after its completion by his friend the poet Paul Eluard and later passed from him to Sir Roland Penrose, who owned it until 1975 when he gave it to be sold for the benefit of the Institute of Contemporary Arts. pl.123; John Russell, The boiler-like monster to which the title refers is, like the rest of the painting, highly ambiguous. in colour); ); , Musée National d'Art Moderne, Paris, November-December 1959 (3); , XI, 20 February 1967, p.39 repr. in colour); MAX ERNST | CELEBES' on back of canvas ); , Museum of Modern Art, New York, December 1936-January 1937 (349, repr. ); Inscribed 'max ernst 1921' b.l., 'Celebes' b.r. (Houston-Cologne 1975), No.466, p.240, front and back repr.As was first noted by John Craxton and subsequently confirmed by Ernst himself, the image of the boiler-like , Wallraf-Richartz-Museum, Cologne, December 1962-March 1963 (7, repr.
(Newcastle upon Tyne 1972), repr. Ernst often re-used found images, and either added or removed elements in order to create new realities, all the more disturbing for being drawn from the known world. , Museum of Modern Art, New York, March-June 1968 (93, repr. p.165; Eduard Trier, , Haus am Waldsee, Berlin, November-December 1951 (7, repr. p.60; Carlo Sala, , Hayward Gallery, London, January-March 1978 (5.23, repr. The low horizon emphasizes the creature's bulk, and the gesture of the headless mannequin introduces the viewer to the figure.
Produced by: Nava Rastegar, Lucah Rosenberg-Lee In this raw and graceful testimony of intersectional womanhood, a trans girl has to care for her Italian grandmother. ; Lothar Fischer (ed. (Cologne 1974), pp.56, 76, 90, 111, 126, 187, 210, repr. Released in 1921, Ernst’s painting “The Elephant Celebes” employs line, shape, and color in addition to surrealistic themes to create an overall criticism on the first world war. The Elephant Celebes was painted in Cologne in 1921 and was Max Ernst's first large picture. ), Creative Commons Attribution-ShareAlike LicenseThe central focus of the painting is a giant mechanical "Celebes" was once the popular name for the island of Ernst's creature has a frilly metallic cuff or collar, and a horned head and tail. The minimalistic representation using geometric curves and lines – a feature of Cubism – and totally senseless everyday objects – a feature of Dadaism – were beautifully employed to evoke a sense of coherence from anarchy – a feature of Surrealism. ); ); ), )Purchased from the Elephant Trust (Grant-in-Aid) 1975, London Gallery, London, December 1938-January 1939 (5); , Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.204-6, reproduced p.204 and back of dust-jacket in colour
It has a horned head with apparently sightless eyes, but a pair of tusks projecting on the left suggests the possible presence of a second head (or perhaps the real head?) 1. The reader is referred to it for a detailed compositional analysis and interpretation. , Museum of Modern Art, New York, March-May 1961 (3, repr. , Kunsthaus, Zurich, October-November 1934 (16);
on the other side. p.49 in colour; Lucy R. Lippard, 'Max Ernst and a Sculpture of Fantasy' in , Kunsthalle, Bern, August-September 1956 (12); The central rotund shape in this painting derives from a photograph of a Sudanese corn-bin, which Ernst has transformed into a sinister mechanical monster. It was bought shortly after its completion by his friend the poet Paul Eluard and later passed from him to Sir Roland Penrose, who owned it until 1975 when he gave it to be sold for the benefit of the Institute of Contemporary Arts. ); , Palais International des Beaux-Arts, Brussels, April-July 1958 (89, repr. The figure had a horned head with sightless eyes. The Elephant Celebes depicts a central elephant-like shape, derived from the form of a Sudanese corn bin, which Ernst saw in an anthropological journal and transformed into a mechanical monster.
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